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Merrimack Valley Magazine

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Outside Inside

June 1, 2020 by Nancy Hitchcock

A unique addition brings the backyard inside this contemporary North Andover house.

When it comes to their yard, the owners of a contemporary house in North Andover like to infuse an element of surprise. They feel the hard work they put into their property is rewarded when friends and family enjoy the surroundings and when people driving by slow down to stare. And it’s hard not to. A striking rock cliff towers 35 feet high over the compact backyard. A fountain and party dock embellish a fishing pond outlined with layers of perfectly crafted stone walls. A putting green, numerous sculptures neatly tucked into manicured gardens, and nearly 1000 impatiens inspire your eyes to dart around the property like you’re searching for hidden treasure on a scavenger hunt. [Editor’s note: This article appeared in the May/June 2010 issue of mvm. It has been updated to reflect current AP style guidelines. Otherwise, for historical reasons, we are publishing it now in its original form, with dates and ages unchanged.]

Charlie George and his wife, Gretchen, are so passionate about their yard (Charlie is a businessman with his own work truck titled “On Charlie’s Pond”) that they recently decided they wanted to experience their outside surroundings from inside their home. They spent months talking to builders before finding the right team to create a design consistent with their ideas. In collaboration with the builders, the couple recently finished a unique, 480-square-foot addition that was built in a triangular shape so the outer two walls — featuring 28 windows, including skylights on the cathedral ceiling — would accomplish the main objective of bringing the backyard highlights into the room. 

“I love the windows and how each window frames a completely different work of art … nature,” Gretchen says. “Honestly, it changes by the minute, the day, the season. This was exactly what we wanted when we were thinking of the addition, and it truly captures the outside … bringing it indoors.”

 

Furthermore, multiple design elements make the space perfect for entertaining, yet intimate enough for small gatherings. As a bonus, Charlie gained a dream garage under the addition.

The triangular shaped addition features 28 windows, allowing the backyard to be enjoyed even while indoors.

Establishing a Vision

The Georges started the process by meeting with four or five design/build companies, but still struggled to decide exactly what they wanted. “We needed a vision,” Gretchen says. “Builders were recommending traditional boxes with cathedral ceilings. But we weren’t looking for wainscoting and crown moldings.” 

G.M. Roth, a full-service home remodeling company with a 6,000-square-foot showroom and design center in Nashua, N.H., persevered, determined to understand the couple’s dream room. Together, they came up with a unique and challenging design concept. 

The triangular shape of the space creates a dramatic effect. The two outer walls form a point, like the bow of a ship, and the numerous windows enable an expansive view of the yard.
“The triangle shape is a little different,” says Gerry , who started his business in 1986. “Then we took rectangular windows and stacked them in a unique way. We sized them to follow the roof line, so they looked good on the outside and the inside. That was a little bit of a structural challenge. It was a very creative job.”

Left: The exterior of the addition creates a dramatic effect at dusk. Top right: The backyard contains rock cliff towers, a fountain, party dock, fishing pond, manicured garden and nearly 1,000 plants. Bottom right: The uniquely-stacked windows as viewed from behind the bar area.

Entering the Room

With structural elements creating angles, the homeowners softened the room with layers of curves. When entering from the kitchen, a glance toward the back wall on the right reveals a 13-foot, curved granite countertop with cherry cabinets below that serves as a buffet area. Refrigerated drawers, a sink and a dishwasher all make entertaining
easy. Above the buffet, a window that used to provide a view into the backyard now is available as a pass-through for dishes into the kitchen. 

A two-tiered, 9-foot center island is also curved and makes a statement with a black and gold countertop made from the same “Cosmos” granite as the buffet. “The granite is very special,” Gretchen says. “It’s a work of art. There’s so much motion to it.”

The flooring under the island adds another layer of curves and point of interest. Italian-made porcelain tile with a metallic glaze makes the floor look like textured metal. 

 “We curved the floor, which is a challenge because you’re working with wood and tile,” Roth says. “We followed the curve of the island to help direct people flowing into the room.”

“The room has a lot more character because of the curves and bends,” Charlie says. “Even the cabinets have a bend.”

On the left side of the room, an 8-foot bar area also features curved Cosmos granite. The homeowners custom designed the cabinet doors below in two woods to help transition from the kitchen’s maple cabinets to the dark cherry cabinets in the new room. In fact, it took two companies to do the job. One built the cherry cabinets, and another crafted the bird’s-eye maple highlights in the middle. A 55-inch, flat-screen TV above provides additional entertainment. 

Left: The bar area was crafted from curved Cosmos granite. Right: Looking over the couch, the other side of the room contains the bar area, a curved buffet in two woods which transitions from the kitchen, and an 55″ LED flatscreen TV. Over 60 remote controlled lighting fixtures allow the homeowners to change the mood of the room.

Altering Moods

More than 60 lights, many controlled by hand-held remote, enable the homeowners to change the mood of the room, and decorative lighting enhances the contemporary feel. The island is illuminated from above by monorail lighting that features an elegantly curved rail and suspended bronze glass pendants. 

Many unique features contribute to the richness of the room, including the Brazilian mahogany floor and a modern Napoleon Torch GT8 Direct Vent Fireplace that serves as a focal point. “We wanted a fireplace, but we didn’t want to give up that space for a brick chimney, so we found a torch,” Charlie says. “It looks like the Olympic torch. Now we have flame.”

The backyard also contains a golf hole, one of the many unique features that has been known to make people slow down as they are driving by this North Andover home.

Decorative Elements

With nature already flowing into the room, Gretchen continued the earthy  theme in her decorating. When making selections, she drew on sensibilities cultivated as a textile and clothing design major in college and as founder of PetRageous Designs, a company that offers stylish pet products, such as handcrafted stoneware dog bowls. “Tuscan gold” paint (as she calls it) glows on the walls, a leather chair and a semicircular couch overlook the backyard, and wrought iron and copper sculptures adorn the walls. 

“They’ve really given the house another level of design,” Roth says. “The design aesthetics were extremely important. They were like interior designers who got into the whole process. They were very good together making decisions. He was big on the outside and the landscaping; she was more about the inside and how it flowed together. Together, they wanted the view. They were a very good team.”

Additional Benefits

Another element blurring the boundaries between outside and in is an Andersen Frenchwood swinging patio door that helps visitors flow from the island area to a patio and deck. The environmentally conscientious builders saved and reused the mahogany deck that was removed for the addition. “We dismantled it, redesigned it, put it back together to tie into new patios in the yard,” Roth says.

A bonus of the project was the garage Charlie gained. The one-car space (to accompany an existing three-car unit) resembles a Craftsman showroom with all of its shiny red and gray surfaces, including an epoxy painted gray floor, gray diamond-plated walls, tricycle red walls, and red and gray Craftsman storage drawers. “The only reason I did the addition was to get the garage,” Charlie says with a laugh. 

Whether they’re hosting a large party or enjoying a quiet day at home with their wheaten terrier, Buddy, the Georges couldn’t be happier. 

“We’re visual people, and we have high expectations,” Gretchen says. “This project is probably one of the few things that exceeds them. If I have said it once, I have said it every week since the room was done: ‘How did we live without it?’ ”

And as for surprises, Charlie has already dreamed of the next project for his home, but he’s not telling. 

Filed Under: Home & Garden Tagged With: architecture, GM Roth, home, Home Remodeling, Interior design, North Andover, Remodel

Home for the Ages

April 14, 2020 by Christine Lewis

Victorian-era Style & Craftsmanship Live on at the John Faulkner House

[ Editor’s note: This feature originally appeared in the March/April 2011 issue of mvm. ] Built in 1887 with exacting attention to scale, detail and subtle glamour, the John Faulkner House at 32 Belmont Ave. in Lowell is a home that is both family-friendly and extraordinary. The rise of the Industrial Revolution after the Civil War put unprecedented wealth into the pockets of Lowell industrialists. One mill owner, John A. Faulkner, used his new wealth to build a home of such sophisticated style and comfort that it has defied more than a century’s worth of social and economic upheavals and remains a monument to prosperity.  

This late Victorian era house achieves all five core design elements of a great American home as identified by Joanne Kellar Bouknight in “Celebrating the American Home.” Site planning, scale, livability, craftsmanship and personality were carefully executed in a way that would be hard to duplicate today. Difficult zoning requirements were turned into an advantage when the house was positioned at a dramatic 45-degree angle on its corner lot. Attention to scale and livability meant that the large open spaces should inspire rather than overwhelm the inhabitants. A hybridized architectural fusion of the Queen Anne and Shingle Style Victorian designs, the Faulkner House harmoniously combines the best of both. Continuous, smooth shingles encase the exterior, uniting the jumble of turrets, an asymmetrical façade, and an irregular roofline.

The living hall, a combination of entrance and living space that serves as the anchor of the floor plan, is breathtaking. The grand hall impresses guests and welcomes returning family with a warm hearth, built-in settees, and a central staircase that is pure architectural theater. Pocket doors separate the main rooms off the hallway, allowing for greater ease of movement. Detailed wood panels in polished oak cast a comforting glow throughout the first floor. It is impossible to resist the urge to touch the rich wood. Thankfully, the staircase’s intricately carved newel posts and smooth handrails are readily available for sensory gratification. Perhaps the most delightful location in the house is the first stair landing, with its small, arcaded gallery, sun-filled windows, and enough room for a comfortable couch. This space can lend itself to a string quartet, a child with a book, or refuge from a raucous party.

 

Left: The Gauthier family replaced an outdated galley kitchen and laundry room with a new space that maintains the integrity of the home’s original design. Right: The three large built-ins cabinets adorning the walls in the dining room are made in the same rich cherry as the walls; one for fine china, one for stemware and one for silverware.

The dining room is formal, without the excessive detail that would detract from the raw beauty of the wood. Three built-in china cabinets are made of the same cherry wood that covers the walls. The red tones of the rich cherry wood encourage the appetite while making everything and everyone look better.  

In contrast to the darker tones of the hallway and dining room, the front living room is ablaze with natural light reflecting off walls of exquisite bird’s-eye maple. Seen today in high-end antiques and expensive guitars, bird’s-eye maple in this quantity is a rare treat. 

It is not surprising that John Faulkner — born in 1853 to a well-heeled, seventh generation Billerica family and educated in public schools and at MIT — would build a family home that was progressive and singular in style. He defied the social confines of class when, at age 27, he married the daughter of a widowed boardinghouse owner. Family was central to the Faulkners. Father Luther groomed his sons, John and Frederick, to run the Faulkner Mills. John Faulkner’s skill at balancing the needs of his workers with efficient textile production earned him the respect of his employees at a time when labor relations were tense. 

The domestic scene at 32 Belmont was a welcome relief from the stresses of running a mill. The three Faulkner children were the center of their parents’ attention, and they enjoyed birthday parties, neighborhood Christmas functions, and Fourth of July fireworks celebrations. John Faulkner’s time in his dream house was short-lived, and in 1899 he moved his family to a smaller home on Belvidere Hill, most likely for the same reasons we would downsize today. It is safe to assume that his fortunes were adversely affected by the financial Panic of 1893 and the subsequent sale of the family mills to American Woolen Company in Lawrence.

When Fred C. Church bought the home from John Faulkner in 1902, it was front-page news in the Lowell Sun. Owning this prestigious home was a way of telling the world you had arrived. Born in 1857, Fred Church would take a small business that began in his father Henry’s stationery store and build it into an insurance empire. Young Fred attended Lowell High School, was nicknamed “Dixie,” and played right field on one of the country’s earliest sandlot baseball teams.

The staircase at the Faulkner House uses quarter sawn oak cut to produce brilliant ray patterns in the grain. The process involves first cutting the oak into four quarters and then cutting each board at a 90-degree angle from the growth rings. The tight parallel lines in the wood, is both aesthetically pleasing, more durable, and provides greater structural soundness. Today quarter sawn oak is associated with furniture of the Arts & Crafts movement. Reproducing this staircase today would be enormously expensive. Designers of the late Victorian era were not afraid to throw together elements from a variety of different styles. The newel column capitals used in the first landing gallery hint at both the Romanesque and Moorish styles. The intricately carved leaves were used in both styles, and nature as a theme was very popular in Victorian design motifs. The staircase shows influences from both the Jacobethan style as well as the newer, cleaner Arts & Crafts movement. It was quite common for restful landing areas to perform double duty as sitting rooms.

Church got off to a successful start supplying fire insurance to the city of Lowell at a time when horrific fires routinely wreaked havoc in many U.S. cities. The Faulkner House served as a launching pad into Belvidere high society for this rising star of Lowell. Church hosted the expected events befitting a man of his station, but he was most famous for the elaborate Halloween parties staged for the children of Belvidere. Gregarious and athletically handsome, Church raised his equally gifted son to follow in his footsteps. Fred Jr. was a standout player for the Harvard football team of 1919 and received a silver cup from the city for bringing honor to Lowell. Off the field, Fred Jr. would join his father in bringing Fred C. Church Insurance to a cliental beyond the confines of Lowell. 

Fred Church believed all the children of Lowell should have the same advantages of athletic involvement shared by the Church men, and spent much time in his later years developing the Lowell Boys Club. Though his son chose to live in Boston, Fred Sr. remained on Belmont Avenue in Lowell until his death in 1937 after a vigorous vacation in the woods of Maine. 

In 1957, Harold Hirsch, a second-generation Coca-Cola executive, moved his wife, Doris, and young children to Lowell from Clarksville, Tenn. The Hirsch family would become such a fixture in modern Lowell society that the Faulkner House became known as The Coca-Cola House. Doris Hirsch was a Southerner by birth with modern tastes and an artist’s eye. Brimming with style and charm, Doris’ doings were regularly reported in the Lowell Sun’s society column, Sampasscoopies. Making this exceptional and older home livable for a young family was initially intimidating, but Doris found her solution with an eclectic mix of practical modern furnishings and tasteful antiques. 

Son Butch Hirsch and daughter Honey Hirsch Burke remember their childhood at 32 Belmont Ave. with great fondness. The baby boom was at full throttle, and this ruggedly built house was able to withstand the legions of children who made it a neighborhood hangout. Now a fashion photographer, Butch says there was always something new to discover in the house. Carved patterns in the woodwork would repeat in unexpected places, or different lighting would reveal things not seen before. The house was easily adapted to the ages of its inhabitants. Butch remembers spending summers playing in the backyard stable building, while Honey recalls her father filling the attic playroom with model railroads. Later, that attic would be transformed into a teenager’s paradise, complete with black lights and rock posters. Doris chose to remain in Lowell after her husband’s early death in 1963. She would earn the affection of Belvidere society by contributing mightily to the city of Lowell through community involvement and fundraising. To Doris and her children, the house at 32 Belmont Ave. would always be home. 

Filed Under: Home & Garden Tagged With: architecture, Faulkner, historic, home, House, Lowell

A Taste For Modern

October 6, 2018 by Debbie Hagan Leave a Comment

Stephanie Sipley has modern tastes, evident in the clean lines and no-frills attitude found in her fashion boutique SoleAmour in Andover. However, finding a modern house in the same town, which is known for its quaint colonials and McMansions, is challenging. 

“Everyone here wants new houses, and I’m not so much about that,” Sipley says, recalling the struggles she and her husband, Richard, faced when they moved here from Chicago in 2008. 

Designed by Marcel Breuer, this home looks almost exactly as it did in 1956 except for this updated kitchen. The built-in bookshelf (right) separates the home’s entryway from the living room/dining room/kitchen area.

Unable to find a modern house, the couple had just about settled on a shingle-style house when their real estate agent took them to a home built by Bauhaus designer Marcel Breuer. Constructed in 1956, this house offers a European take on modernism known as the International Style. Its design is simple, functional and open, and its distinctive features include a flat roof, radiant heat and natural construction materials such as cement, stone and glass. 

 

Homeowners Stephanie and Richard Sipley prefer the clean, simple lines of these table and chairs, consistent with the home’s minimalist design.

The open family room/dining room/kitchen, measuring 30 by 40 feet, immediately impressed Sipley. Narrow cedar boards line the ceiling, so it looks almost like the hull of a wooden ship — warm and sleek. At one end of the room is a painted-white rock wall and fireplace. At the other is an updated kitchen with a stainless steel backsplash and appliances with gray cabinets. A floor-to-ceiling built-in bookcase separates this space from the entryway. Floor-to-ceiling glass allows natural light to fill the room and bring the outside in. During the summer, the Sipleys open the sliders and a cool breeze flows through the home. 

“[Breuer] created these great areas where everyone can gather,” Sipley says. As the mother of three young children, she sought a home with multifunctional communal space. While this house has four well-designed bedrooms with ample storage, they are small. Thus, everyone gathers in the great room to eat, watch television, read, use the computer, play and work on projects. 

Left: The master bedroom offers a view of the koi pond and fountain, renovated a few years ago. Right Midge, a rescue dog, loves to sit on the bed and keep watch over the property.

Richard’s attention turned more toward the property: 2-plus rolling acres landscaped by noted architect Daniel Kiley. Beyond the backyard is conservation land, including Baker’s Meadow and woods with well-marked hiking trails. Deer, groundhogs, foxes and turkeys travel through here. It is hard to believe that Andover High School is on the other side of these woods and that downtown is a mere mile and a half away.  

Breuer, the home’s architect and builder, studied and taught at the famous Bauhaus school of design in Germany, which was founded by architect Walter Gropius in 1919. Both men fled Germany as Adolf Hitler rose in power, and both joined the faculty at Harvard Graduate School of Design. In the United States, Breuer continued designing private homes and commercial buildings, including The Met Breuer (formerly home to the Whitney Museum of American Art) in New York City. 

Homeowner Stephanie Sipley buys what she likes, mixing patterns and textures as seen in these zebra-upholstered modern chairs from The Taylor’d Room Interiors set against this white-painted rock wall.

Breuer is perhaps best known for a chair he designed in 1925, while still head of the Bauhaus cabinetmaking department. In keeping with Bauhaus’s mission to meld art with industry, Breuer created a portable, lightweight tubular-steel chair with four simple strips of fabric for the arms, seat and back. Produced first in Germany, the Wassily chair, as it’s now known, became an international sensation. 

When the Sipleys finally moved into their new home, they discovered a little present left behind by previous owner Keith Vangeison, who collected midcentury modern furniture. It was a Breuer B35 armchair. Now, it sits in the living room amid all the great features Breuer designed for this space 62 years ago. 

Left: A glass wall, seen off to the right, fills the great room with natural light. Comfortable seating is a necessity where this family gathers and spends most of their time. On the left is a Marcel Breuer B35 armchair — a gift of the previous homeowner Keith Vangeison. Right: Marcel Breuer is seen pictured in the tubular steel Wassily chair he designed when he led the cabinetmaking department at Bauhaus in Dessau, Germany. The chair would become an international sensation and is still produced today.

“People keep asking me, when are you going to put on an addition?” Sipley says, shaking her head and smiling. She likes the house just the way it is.                           

 

style editor and set design
Lysa Pelletier – Anchor Artists

photography
Emily O’Brien – Boston, Mass.

text
Debbie Hagan

accessories and furnishings
Acorn Design Center
Andover, Mass.
(978) 273-9717
AcornDesignCenter.com

The Taylor’d Room Interiors
Andover, Mass.
(978) 239-0386
TheTaylordRoom.com

Rose & Dove Specialty Gift Shop
North Andover, Mass.
(978) 689-4141
RoseAndDove.com

Sole Amour
Andover, Mass.
(978) 409-1541
Winchester, Mass.
(781) 721-5300
SoleAmour.com

Helen Thomas Simply Smashing
Andover, Mass.
(978) 475-7981
Facebook.com/HelenThomasSimplySmashing

landscaping and water gardens
Dana Landscaping
Andover, Mass.
(978) 682-9267
DanaLandscaping.com

 

Filed Under: Home & Garden Tagged With: architecture, Bauhaus, home, Interior design, Marcel Breuer, modern

Character and Craftsmanship

February 17, 2017 by Beth Daigle Leave a Comment

Thoughtful Architecture Meets Quality Craftsmanship at The Savoie Family Home in Ipswich.

The Savoie home was one of 10 that were featured on the 2015 Open Doors of Ipswich House Tour. Proceeds from the event benefit the Ipswich Visitor Center at the Hall-Haskell House. The next tour will be held in 2017. For updates and more information, visit OpenDoorsofIpswich.org.

When Cathy and Ken Savoie made their home available for the 2015 Open Doors of Ipswich House Tour, they knew what to expect. Their blended Arts and Crafts/New England Shingle-style home had been on tour before. Additionally, Ken Savoie, the founder of Savoie Nolan Architects, often welcomes prospective clients into the house for a firsthand look at his style and thoughtful planning.

Built in 1999, the Savoie home combines Arts and Crafts details with the traditional exterior shingle style that’s popular in the Ipswich coastal area. “The shingles wrap the home like a blanket, and that’s a look that I’ve always liked,” Savoie says in his kitchen as he shares his passion and vision with Merrimack Valley Magazine.

The Savoies’ home was built on an empty lot that was originally part of a 10-acre parcel. The property was subdivided from an estate known as “Rocky Hill,” where the main house remains and can be seen on a nearby hill. The estate’s carriage house and caretaker’s cottage still stand as private residences.

Opposite page: The Savoies’ kitchen, with its standout center island, is the hub of the house, where Cathy, Ken and their two children, Lily, 22, and Michael, 19, gather. It acts as a dining area, workspace and conversation spot. The arched, overhead beam unifies the tapered columns at each end of the island and creates a powerful design element. Photos by Emily O’Brien.

At the Savoie family home, the semicircular pebble driveway provides arriving guests with their first taste of the property’s grandeur. The home’s stone foundation and bold portico columns add to the impressive exterior. Charming rain chains hang from the portico roof, and a custom-made wood front door extends an air of warmth and welcoming as you approach. Upon entering, you are instantly drawn to the kitchen, where Savoie’s attention to architectural detail and his love of wood stand out. The dramatic center island catches your eye first, then the Arts and Crafts-inspired two-toned cabinetry.

“I’ve always been a big fan of wood,” Savoie says. “I love working with wood and I love designing with wood. Throughout the house there are a variety of woods.”

The cabinets are a combination of cherry and maple, the floors are beech, and all the doors are constructed of maple and basswood.

While the kitchen island is attractive, it was designed to be functional. Hidden within one decorative column is a structural post, the second column was added for visual balance.

“We wanted a central focal point within the kitchen, and the island really is the place where everything happens,” Savoie says.

The depth of the island is also purposeful. It provides abundant storage in the drawers below, while the butcher-block maple top is wide enough for prep on one side and eating on the other. Counter height was increased 2 inches above standard to make cooking more comfortable for Cathy and Ken, both of whom are taller than average.

The musical instruments in the living room are most often played by Michael Savoie. The violin to the far left is not a working violin but a piece of art created by award-winning American sculptor, George Sherwood. The piece, called, “3-Legged, Bow Billed Stringer,” resembles an egret in profile.

Just off the kitchen, a piano and other musical instruments draw attention to a sunken living space, Ken’s favorite room. This space, often used for entertaining and quiet relaxation, is television-free.

“We wanted a place that was dedicated to conversation and enjoyment and wasn’t dominated by television,” Savoie says. “It worked with the topography of the site and it makes for a more comforting type of room because it’s sunken.”

Opposite the piano is a fireplace with a brick and stone surround. A keystone etched with the year the home was built adds a personalized touch. The warmth of the room is further enhanced by the unusual choice of flooring, which consists of 2-inch x 4-inch end-grain fir blocks laid out in a parquet style. It is extremely durable, and Savoie loves it for its texture and distinctive appearance.

Other interesting details can be found throughout the house. In both the dining room and small TV room, you’ll find the geometric shape of each ceiling mimicked on the floor below it. The dining room boasts a round tray ceiling with a circular floor inlay, and the TV room features an octagonal inlay with custom cut carpet that lies below the same shape in the ceiling. You might also notice a repeated tapered pattern in the columns as you enter the house. The tapered lines are replicated in the panels of every custom-made door, all of which were created by Peter Buchanan of PrB Woodworking in Ipswich.

This is the small TV room where a portion of the octagonal inlay floor and tray ceiling can be seen. Carpet was cut to the exact shape of the inlay and permanently installed. The coffee table was designed by Ken Savoie so that it would not be an obstacle in the room. The table was built by Robert Hanlon of Walker Creek Furniture in Essex.

The coffee table in the TV room is another specialty item. Savoie designed it himself in the shape of an elongated triangle, which allows for easy navigation though the room. Robert Hanlon, who specializes in the use of reclaimed wood, built the table at Walker Creek Furniture in Essex. The curved legs of this table were reclaimed.

The Savoies’ house is truly a conversation piece from floor to ceiling. Much of the home’s charisma comes from Ken’s desire to work with many local craftsmen and suppliers. He has even installed a working, built-in phone booth purchased through Ipswich antiques dealer Harry Zeltzer.

While the Savoies are closely connected to every inch of this home, Ken envisions building a zero energy house suitably sized for the couple’s retirement years. But for now, this home, with its many personal touches, is the perfect place for the Savoies to live.

“I don’t want to leave this house any sooner than I need to,” he says. “I’m grateful that we can stay here and have a place
that our kids and friends and family can come to.”

Savoie Nolan Architects LLC
Ipswich, Mass.

(978) 356-7786
Savoie-arch.com

Filed Under: Home & Garden Tagged With: architecture, Interior design, Ipswich

Architecture with Attitude

October 25, 2016 by Will Courtney Leave a Comment

Award-Winning Designer Patrick Tighe Struck Gold after Heading West.

At first glance, it would appear that Patrick Tighe’s years as a Lowell youth are light years away from his life as an award-winning architect in Southern California.

Tighe, 50, and his Santa Monica firm are heralded around the world as groundbreaking innovators in building design. He has received more than 50 of architecture’s highest honors, including a Rome Prize fellowship and the American Institute of Architects’ Young Architects Award.

Not bad for a bricklayer’s son who grew up with four brothers amid the historic charm of Lowell’s Belvidere neighborhood.

A member of Lowell High School’s Class of 1984 and its Alumni Hall of Fame, Tighe earned a fine arts degree at UMass Amherst before leaving for California to study architecture at UCLA.  He started Patrick Tighe Architecture in Santa Monica, Calif., in 2004, and the firm now has active projects around the world.

Tighe’s innovative work ranges from multimillion-dollar homes for the wealthy to affordable housing that’s stylish and contemporary. The firm’s designs for cultural institutions such as the Guggenheim museum in Helsinki, Finland, are truly one of a kind.

Tighe admits his life today was spawned in part by the contrasts he found after moving from Lowell to California, but he insists: “You can take the guy out of Lowell, but you can’t take Lowell out of the guy.” Tighe and his wife, who is from Lowell, have two children, and his brothers live in and around Boston, so he still has plenty of reasons to return to New England for visits.

 

patricktighe8-09-191-version-2Tighe spoke with mvm about his humble roots back in 2015, his passion for architecture and why his work is less about style, and all about attitude.

Your late father, John, was a bricklayer, and now you create buildings for a living. Did he influence you?
My father was a builder, and I am a builder. They are different angles, but I learned a lot from him. He taught me a lot about life. His work was important to him, and I think that rubbed off on me somehow. I was always interested in building.

At Lowell High, you were known as a talented artist. How did that translate into architecture?
It wasn’t until college that I realized architecture was the perfect combination of both building and the arts. Art was always something I was interested in. It was always a kind of outlet I enjoyed. Later in life, that turned more to architecture — the combination of building and drawing.

How did the kid who grew up with historic Lowell architecture become one of Southern California’s most contemporary designers?
Coming from Lowell, I think I was looking for something very different. Not because I didn’t like Lowell, but I was looking for a contrast. I remember seeing the architecture coming out of Southern California [in the late ’80s] and thinking it was quite different. It was really kind of inspiring. I saw architecture that was much more optimistic. More dynamic. Really different from what I saw on the East Coast. It came through my head — maybe I’ll go West and figure out this architecture thing.

la_brea
The Labrea Housing project in West Hollywood, Calif., has 32 apartments sold to formerly homeless LGBT youth, the disabled, and people living with HIV or AIDS. All photos courtesy Patrick T I G H E Architecture.

How would you describe your style?
I’m not sure it’s a style, per se. We do have a way of working. We’re interested in expanding new boundaries. Our work is progressive. It’s not so much about style; it’s more about an attitude, about how we attack each project. Oftentimes we take into consideration all of the factors that influence a project, then have our own interests, too, that we want to explore. And through that investigation we come up with something interesting and new and fresh. That’s what I think runs through our work that is consistent.

Why do you choose projects that offer such different challenges?
My work is quite varied. We are based in Los Angeles, but we work all over the world. We do high-end residences for wealthy people, and we do projects for people who were formerly homeless, or have HIV or AIDS, or have disabilities. I like that dichotomy. I like that there is a range of building types [being worked on] in the office.

Why did you decide to work on affordable housing projects?
My interest in affordable housing came from my desire to not only create great architecture for the wealthy population, but also for people not as well off. Everyone can benefit from these designs. I think there are a lot of mediocre housing projects. It’s easy not to take risks. It’s easy to play it safe and stick with the norm. We’re definitely interested in finding new ways to look at things.

You have a long way to go in your career. Are there any projects or challenges you’d like to tackle in the future?
I’d like to do something in the Merrimack Valley. That would be great. I keep an open mind. So far we’ve had pretty good success. I want to keep doing good work, continue to do the work we want to do, and that will lead to more of the same. Not everyone can say they love what they do. I can say that.

What do you love most about your profession?
At the beginning of the conversation we talked about arts and building. I have a combination of the two every day. One day might be more arts, the next day might be more toward building and dealing with contractors. There are lots of different aspects to the profession to learn every day. It never gets boring. That’s wonderful.
I feel like I’m just getting going within the profession, and that’s really exciting. All of that makes it a very fulfilling career so far.

trahan_ranch
His firm’s groundbreaking designs include homes for the wealthy, like Tahan Ranch, in the hills of Austin, Texas. All photos courtesy Patrick T I G H E Architecture.

 

 

Patrick Tighe Architecture
Santa Monica, Calif.
(310) 450-8823
TigheArchitecture.com

 

Filed Under: Home & Garden Tagged With: Architect, architecture, Patrick Tighe

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